Nothing's Certain but Death Read online

  Table of Contents

  Copyright

  Dedication

  Nothing’s Certain but Death

  Chapter 1

  Chapter 2

  Chapter 3

  Chapter 4

  Chapter 5

  Chapter 6

  Chapter 7

  Chapter 8

  Chapter 9

  Chapter 10

  Chapter 11

  Chapter 12

  Chapter 13

  Chapter 14

  Chapter 15

  Chapter 16

  Chapter 17

  Chapter 18

  Chapter 19

  Chapter 20

  Chapter 21

  Chapter 22

  Chapter 23

  Chapter 24

  Chapter 25

  Chapter 26

  About the Author

  Nothing’s Certain but Death

  By M. K. Wren

  Copyright 2014 by Martha K. Renfroe

  Cover Copyright 2014 by Untreed Reads Publishing

  Cover Design by Ginny Glass

  The author is hereby established as the sole holder of the copyright. Either the publisher (Untreed Reads) or author may enforce copyrights to the fullest extent.

  Previously published in print, 1989.

  This ebook is licensed for your personal enjoyment only. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without written permission from the publisher or author, except in the case of a reviewer, who may quote brief passages embodied in critical articles or in a review. If you would like to share this book with another person, please purchase an additional copy for each person you share it with. If you’re reading this book and did not purchase it, or it was not purchased for your use only, then please return to your ebook retailer and purchase your own copy. Thank you for respecting the hard work of this author.

  This is a work of fiction. The characters, dialogue and events in this book are wholly fictional, and any resemblance to companies and actual persons, living or dead, is coincidental.

  Also by M.K. Wren and Untreed Reads Publishing

  Curiosity Didn’t Kill the Cat

  A Multitude of Sins

  Oh, Bury Me Not

  http://www.untreedreads.com

  Dedicated with love to Katharyn Miller Renfroe, whose birthgift to me was music, who sustained me with faith that never precluded amazement, and who transcended motherhood to become a loving friend.

  Nothing’s Certain but Death

  M. K. Wren

  Chapter 1

  February ninth was the night of the full moon, and Max Heinz, like any experienced bartender, was well aware of that astronomical happenstance despite the fact that the moon was obliterated tonight by a pounding black storm.

  Beyond the Surf House dining room’s wide arc of windows, the Pacific Ocean offered ranks of thundering cataracts performing furious prodigies, but it played to shadows and empty tables; the only customers at this late hour were gathered on the upper level in the amber recesses of the Tides Room, as indifferent to the sea’s glory as it was to them, drowning the sounds of rain and surf in raucous song and laughter.

  Still, for all the noise, it was a small crowd. Monday. Always chancy, and so was the rain. Sometimes it brought them in droves, but not tonight.

  There were only five people Max classified as real customers, and he didn’t know any of them, although the couple in the corner had been in before and he could identify them as scotch rocks and whiskey sour. The three loners at the bar were travelers, but not tourists this time of year. Salesmen, maybe.

  All the noise came from the group around the baby grand, but most of them Max didn’t classify as customers, even if they did pay for their drinks; they were Surf House employees. One of them, Brian Tally, was his boss.

  Conny Van Roon was actually a customer, of course, but on such a regular basis that he rated a special classification. So did the young woman playing the piano but for entirely different reasons. She was in a class by herself.

  And Conan Flagg.

  Max had never succeeded in classifying Conan Flagg, except perhaps as one of the things that made life in Holliday Beach, a very small dot on Oregon’s map, interesting.

  He was standing on the far side of the piano, looking down at the keyboard, the light from the overhead spot making strong shadows under high cheekbones, negating itself on straight black hair and under the angled lids of black Indian eyes but reasserting itself in the occasional flash of a smile.

  Those smiles were generally for the pianist.

  Isadora Canfield, whose graceful, brutally powerful hands would two days hence be shaping the demanding complexities of the Liszt Concerto No. 1 in E-Flat on a concert grand in London’s Albert Hall, had for the last hour served as accompanist for a loud and only rarely harmonious sing-along.

  And she was loving it.

  So was Conan Flagg, but then he’d be equally enthralled if she were playing “Chopsticks.”

  At 6 p.m., Isadora had arrived at his door—in an Alfa Romeo, this time—out of a limbo of months and miles, to inform him that she had the evening free. At 2 a.m. she must leave for Portland International Airport or her jet would turn into a pumpkin, but she was Cinderella until then if he cared to be her Prince Charming.

  He cared to. For Isadora or her music—and her music—he cared to be almost anything.

  “Suuuure, a little bit of heaven fell from out the sky one day…”

  Brian Tally was leading the chorus in a clear Irish tenor a little muddied with whiskey, which was probably also Irish. He leaned on the piano across from Conan, turning blue eyes appropriately heavenward as he sang, the spotlight firing his red hair, putting into high relief his flushed, blunt-featured face; the kind of face women called ruggedly handsome and men were simply comfortable with. Isadora looked up at him, laughing, and exchanged a telling glance with Conan while her fingers danced through flamboyant arpeggios and maudlin tremolos.

  “And nestled in the ocean in a spot so far away…”

  Brian pulled a solemn face, lost the melody, and broke into laughter, swaying as he draped an arm around Tilda Capek’s shoulder. At first it seemed she might fall under his faltering weight, but she managed to get him in balance and on the melody, leading him in a soft, husky alto.

  “And when the angels found it, sure it looked so bright and fair…”

  Tilda was smiling, but it didn’t reach her eyes, which were fixed on Brian’s face with a troubled concern that was revealing. But Conan wasn’t surprised at that revelation any more than he was at the affectionate presumption of Brian’s embrace. This had been a long time coming.

  Tilda Capek had been hostess and dining room manager at the Surf House Restaurant for three years, and for many of its male customers, she was its main attraction. No doubt she was aware of that, but she never seemed to be, always warmly gracious, yet as unapproachable as a Meissen porcelain and as artfully beautiful: champagne-pale hair and fair skin; large, changeable gray eyes framed by dark lashes. She spoke with a hint of an accent and seemed as unaware of its beguiling charm as she was of her beauty.

  But at the moment Tilda was aware of only one thing: Brian Tally.

  He was drunk.

  “They said suppose we leave it, for it looks so peaceful there…”

  With extravagant gestures, Brian played conductor to the ebullient chorus, and even if he was unsteady on his feet, his phenomenal memory for lyrics didn’t fail him.

  But he was drunk, and Conan did find that surprising.

  As owner and host of the Surf House, Brian had long ago learned the art of pacing and subterfuge as wel
l as developing an impressive tolerance for alcohol. Conan had never seen him actually drunk, but tonight he seemed to be deliberately working at it.

  Tilda wasn’t alone in her concern. The matronly soprano issuing from the woman next to her tended to wander from the melody whenever the sharp eyes behind the jewel-rimmed glasses wandered toward Brian.

  Beryl Randall, Brian’s bookkeeper. “Born with an adding machine for a brain,” Brian always said, and Beryl always laughed. At least when he said it.

  “So they sprinkled it with stardust just to make the shamrocks grow…”

  Beryl lifted her chin fastidiously as Howie Bliss, who was living up to his surname, staggered against her. The sentiment of the song was overwhelming him; tears flooded his puffy cheeks, and his face was neon pink to the balding dome of his head.

  If Brian wasn’t so near oblivion himself, Conan knew he’d be watching Howie closely; his history as a cook at the Surf House was checkered with alcoholic disaster.

  But if Brian was indifferent to Bliss’s alcohol content, Claude Jastrow wasn’t. Jastrow, still in his chef’s white, contributed to the musicale with a resonant baritone while casting looks of withering scorn on his subordinate.

  “’Tis the only place you’ll find them no matter where you go…”

  Jastrow also bestowed occasional withering glances—equally unavailing—on the man standing next to him at the end of the piano, a meager, middle-aged man who seemed to have outfitted himself for a vacation in Palm Springs ten years ago and never made it.

  Conny Van Roon. Everyone called him Conny, but the sign outside his real estate office read, “F. Conrad Van Roon,” and Conan had it on good authority that the F. stood for Frederick. He had other things about Van Roon on good authority, too, but tonight Conan could only regard him with warm tolerance as Conny la-da-da’ed along, off-key, offbeat, grinning his vacant contentment.

  “Then they dotted it with silver to make its lakes so grand…”

  Isadora ran a flashing arpeggio while the choraliers took a concerted breath in anticipation of the finale.

  “And when they had it finished, suuuure, they called it IIIIIII-er-land!”

  The music dissolved in hectic laughter, and Brian shouted, “Erin go brath!” or a close approximation, kissed Tilda resoundingly, then treated Isadora to the same accolade.

  “Oh, Dore! You’ve gotta have some Irish in you somewhere. Isadora, Dore, our own adorable Dore!” He started to make a song of it, then turned, arms raised, and sighted Max Heinz at the bar. “Pour another round for ever’body, Max—on the house!” He surveyed the room and laughed. “Safe enough, the size of this house.”

  Isadora rose but didn’t join the general movement toward the bar; she turned to Conan, her hand finding his.

  “Five minutes till midnight. Let’s go home.”

  He drew her under the arc of his arm. “Home? You sound like an old trouper. Where’s home for you? Any place you hang your Steinway?”

  There—that shadow smile again; Conan sighed.

  “Home is where the heart is,” she said.

  “Mm. Then what are we doing here?”

  “Hey, Dore!” Brian shouted. “Conan—come on, you two. Berry up to the—” He doubled in a spasm of laughter. “B-barry up to the bell! Oh, damn. What’ll you have? Hey, Max, fix the little lady a drink.”

  Isadora gave Max a brief shake of her head, then smiled for Brian.

  “Thanks, but save your booze. It’s nearly midnight.”

  He produced a despondent sigh. “Pumpkin time, right? And that’s when your glass slippers crack up.”

  Conan and Isadora found that amusing for reasons of their own and, if this Cinderella still had two hours’ grace, neither of them felt it necessary to reveal the fact.

  Isadora gave Brian a sisterly hug.

  “It’s been a marvelous ball. Thanks so…much….”

  She had lost his attention.

  His gaze was turned on the entrance of the bar with a fixity that created a chill vortex; it moved out from him, silencing voices, paralyzing motion. The terrain of his face was suddenly uncharted territory.

  And into this silence, someone said in elegantly ironic tones, “By the pricking of my thumbs… Something wicked this way comes…”

  Conan glanced behind him, seeking the source of that astounding pronouncement. Claude Jastrow’s mouth was tight with a smile, but there was no humor in it, and no one was laughing. They were all, like Brian, staring transfixed at the entrance where the catalyst of this incomprehensible chemistry paused, perhaps intimidated by the many eyes so abruptly focused on him.

  A spare, slightly stooped man who could be no more than thirty-five, yet at first glance seemed elderly. He wore a tan raincoat, the shoulders soaked with rain. His pale hands moved nervously to unbutton it, revealing a dark suit, pristine white shirt, and a narrow, unpatterned tie. The shirt collar was unfastened and the tie knot a little loose, but the vest was neatly buttoned, and Conan almost expected to see a gold watch chain looped across it.

  Black tie and tails would be no less inappropriate here, and that made the hat crowning the ensemble all the more curious. A Homburg wouldn’t have surprised Conan, but the man wore an odd, soft-crowned hat of rough brown tweed, its floppy brim pulled down over his forehead to protect his glasses from the rain. But to no avail in this storm. The lenses were so spattered with light-catching droplets, he seemed blind, which only added to the impression of vulnerability.

  Yet Brian’s words to him were spoken in a seething, guttural tone that made Conan’s pulse accelerate.

  “Goddamn you, Nye!”

  The man stiffened, eyelids moving rapidly behind the glittering lenses.

  “Mr. Tally, that’s hardly—”

  “What the hell do you want? Can’t you leave me alone?”

  Conan was watching Brian and the man he called Nye, but he was aware of shifting movements: Beryl Randall taking up a position near Brian on his right; Tilda Capek standing close enough to reach out for his left hand. But he waved her back, as if to keep her out of the way of potential danger. Max was coming warily out from behind the bar, and even Jastrow and Bliss were on their feet, watching, ready.

  Nothing about this encounter made sense, and apparently it didn’t seem odd to anyone here that Brian Tally, over six feet tall, weighing no less than a hundred and eighty, and none of it superfluous, might need their support, moral or actual, against this antagonist—an owlish man with thin, white hands, looking up at Brian in rain-dazzled myopia.

  And Nye, his brow furrowed earnestly, proved willing to brave the united front to approach Brian.

  “Mr. Tally, I must speak to you. It’s very important.”

  Brian exploded, “Five days, Nye! Then your goons can come in with their damn orders in triplicate and board the place up! You can have it—right down to the last cocktail fork! But I’ve still got five days, so why in hell can’t you leave me alone?”

  Beryl was making clucking remonstrances, while Nye shook his head and moved even closer, which to Conan’s mind showed remarkable courage. Or perhaps it was only literal and figurative short-sightedness.

  “No, you don’t understand,” he insisted, evidently oblivious to Brian’s clenched fists and certainly to his state of inebriation; he seemed cold sober. “Mr. Tally, I’ve come across something that—well, it changes the picture drastically. Please, it’s imperative that I discuss—”

  “Damn it, haven’t you done enough? What do you want? My blood along with everything else?”

  Nye drew himself up. “Mr. Tally, that’s entirely uncalled for. After all, I have a job to do.”

  “You’ve done it! You’ve done me!”

  Brian closed the remaining distance between them, shaking off the anxious protests and restraining hands, while Nye persisted in explaining himself.

  “Believe me, I’m very sorry about what’s happened, but I’m trying to tell you that I’ve found something—”

  “Sorry!�
�

  That was a poor choice of words.

  Beryl screeched, “Brian!” as his sledge-hammer fist cocked back, level with his shoulder.

  Conan moved in, impelled more by instinct than conscious intention, and discovered that Nye’s reflexes were faster than he anticipated.

  Nye dropped.

  For Conan, he simply vanished. But the flesh-and-bone hammer of Brian’s fist was launched on its trajectory, and now Conan was in its path.

  In the last millisecond, he saw the raw chagrin on Brian’s face, but he could no more stop that hurtling missile than Conan could evade it.

  It was an earthquake, a tidal wave, and a bolt of lightning all in one.

  A phenomenon, but for Conan one of brief duration.

  He didn’t even know when he hit the floor.

  Chapter 2

  Conan drove to the bookshop the next morning. Usually he walked the two and a half blocks, but he wanted to find out if he could manage the XK-E’s manual shift with his left hand in a cast.

  He admitted, grudgingly, that it wasn’t as bad as he expected; his thumb, index, and middle fingers were free, which gave him enough grip to control the wheel while he shifted gears.

  A fracture in the fifth metacarpal. That was Dr. Nichole Heideger’s diagnosis after she studied the X-rays at the hospital last night. The break was accompanied by a gash that took ten stitches to close. Nicky X-rayed his aching and swollen jaw, too, and pronounced it intact, although she advised him it would produce a colorful bruise.

  She also advised him, with some relish, to stay out of barroom brawls.

  He told her it was an accident, which was as true as it was incredible; the broken bone was a result of hitting his left hand on the edge of a table when he went down after inadvertently putting his face in the path of Brian Tally’s fist.

  Brian was at the hospital, too, repetitiously and blearily apologetic, looking more in need of medical attention than Conan. Tilda and Max took him away finally after Conan mouthed the words of understanding and forgiveness Brian seemed to need so desperately.

  But a true spirit of forgiveness came hard, especially when he had to say good-by to Isadora in the sterile glare of the emergency room with a curious orderly, a nurse, and Nicky as witnesses, and his left hand immobilized in wet plaster.